In 1953 Haas's color woodcuts were included in the exhibition Young American Printmakers at the Museum of Modern Art in New York in 1953 and she had a one-person exhibit at the Truman Gallery.

Trees and Water 1949

Lone Tree 1948

The Forest 1948

Haas received critical acclaim for her color woodcuts in both venues. The magazine Art Digest commented, "she grounds her blocks in delicate, lightly printed hues (often allowing the rhythm of the grain to read through), then applies a key-block of jungle-gym lines-lines which move back and forth in space. Her printing technique resembles early Japanese block printing in its lightness, its respect for the nature of the block. In allowing the color-block forms to create space, she shows her understanding of the medium". That same year "Town In the Hills" was one of the featured images included in the Brooklyn Museum exhibition and it also won an Honorable Mention in the S.F. Art Association's 16th Annual Exhibition.

Black Trees 1947

Bridge at Night 1947

Light and Shadow 1949

Hildegarde Haas moved to northern California in 1951and continued to work and exhibit widely in the San Francisco Bay area. She exhibited frequently at the S.F. Art Association's annual Drawing and Print exhibitions held at the San Francisco Museum of Art. By 1953 the physical demands of the woodcut became too demanding for her and so abandoned the woodcut and to concentrate on painting.

Summer Garden 1947

Harbor 1947

Lighthouse 1947

Haas's works are included in such prestigious museums as the Museum of Modern Art in New York, Library of Congress, Seattle Museum of Fine Art, Achenbach Collection of San Francisco, Dallas Museum of Fine Art, Worcester Art Museum and the Cleveland Museum of Art. Her works are also represented in numerous private collections across the country.

Boats 1947

Seascape 1948

September Frost 1949

Winding River 1947

Mist and Mountains 1950

Night 1948

Fishbowl 1948

Flowers 1948

Dusk 1948

Towers of the Canyon 1951

Figures in the Night 1950

Headlands 1950

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